Permanente Ink Chapter 18 Summary
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WHAT HAPPENED, IN 50 WORDS:
Chapter 18 of 'Permanent Ink' delves into Morpheus, the supposed "Romeo and Juliet Killer." His disdain for society and contempt for police amplify. He takes perverse pleasure in controlling fate, setting his sights on Werner and Zelda, explicitly excluding Amir from his murderous game.
FULL SUMMARY:
Chapter 18 of "Permanent Ink" delves further into the sinister psyche of the possible "Romeo and Juliet Killer", referred to as Morpheus. Exhibiting an open disdain for the oblivious masses, Morpheus extracts a perverse pleasure from his power over life and death. Music and coffee, symbols of vibrancy and youth, only incite his revulsion as he becomes further entrenched in his murderous path. His contempt extends to the police, whom he views as powerless against his control. Despite their efforts to apprehend him, Morpheus relishes his perceived superiority with disturbing glee. He emphatically asserts his exclusive right to 'choose' his victims, envisioning himself as the brutal arbiter of their fates. Werner and Zelda are chosen as his newest targets, selected to be eternally trapped in youth by his deadly hand. In contrast, Amir Pieterse is decisively excluded from his choice, inciting a bitter laugh from Morpheus. He contemptuously declares his potential to crush Amir single-handedly. As time marches on, Morpheus eagerly anticipates his grim rendezvous with his Romeo and Juliet, firmly asserting that they are chosen, and significantly, Amir Pieterse is not.
WHAT HAPPENED, IN 50 WORDS:
In hoofstuk agtien beplan die moordenaar, Morfeus, sy volgende aanval by 'n Vida e Caffè. Hy bevestig sy keuse van Werner en Zelda as slagoffers, terwyl hy Amir minag. Morfeus geniet sy mag oor die jeug en bespot die polisie se onvermoë om hom te vang.
FULL SUMMARY:
In hoofstuk agtien word die duistere figuur, Morfeus, geplaas teenoor 'n Vida e Caffè, 'n simbool van die jeug en naïwiteit wat hom frustreer. Hy is bewus van sy mag, beerend oor lewe en dood, as die moordenaar in die Romeo-en-Juliet-patroon wat hy self gemaak het. Hy verkies om Werner en Zelda as sy volgende slagoffers te hê, eerder as Amir Pieterse, wie hy minag. Dit word duidelik dat Morfeus 'n persoonlike afkeer het vir Amir wanneer hy hom bespotlik maak en verklaar dat hy hom met een hand kan vermorsel. Hy lag wrang by die gedagte van sy mag oor die jeug. Onder die opgewekte Brasiliaanse musiek en die reuk van varsgemaalde koffie, hou Morfeus 'n bespottende houding teenoor die polisie. Hy geniet die blindheid van hulle probeer om hom uit te ken, terwyl hy altyd in beheer bly oor die situasie. Terwyl sy volgende slagoffers wag, raak Morfeus steeds selfbewus van sy mag en besef hoe naby die tyd is om weer toe te slaan. Hy sluit af deur met nadruk te verklaar dat Amir Pieterse beslis nie gekies is nie.